Review of the movie ‘Dheeran’: The fleece joke works, but the movie loses in the middle

Appropriate Defeat (Brave), who interprets the hero, has a definite feature in almost every other character of Devdhat Shaji’s first director. From the Hindu-Wedders to the local Dan, the one who is more interested in his perfume business is a umpire to get into trouble from the illegal alcohol, which is in a very quiet situation, is an audible motile crew. The hero, Eldhos (Rajesh Madhavan) has to struggle to live from the act of bravery in childhood, which becomes a moment of tragedy in his life.

Director Devdatha Shaji, who wrote the screenplay BhashemparwamThe wrath of the humor to tell everything he wants. Under the simple joke of his surface, which, at least engages the film at a half point, at least engages, Defeat It is also about the long -lasting effect of specific events in people’s lives. All those involved in a particular event have been severely stained, some physical and some for others are mental. The incident has also given the perception of a particular character throughout the village.

One part Defeat The interior village in Tamil Nadu includes a road trip, only the choice of that vehicle is an ambulance, whose freezer box is useful for some novels. The strongest stages of the film are placed inside the vehicle and in a small town that are adept at delivering their noses to the lives of others. This is the order of many small films of the immense rewach value made in Malayalam in the late 1980s.

But when the action turns to Tamil Nadu, the linear story loses its grip, where a character has landed in a soup of its own. At the moment the storyline depends on numerous confusion on the wrong acquaintance, but the confusion is limited to the character of the film only. For the audience, there is not much wonder in the store, which also reduces the complete effect of the film. Finally, the storyline is carried out with many holes and many convenient events. Nevertheless, the film does not go away from the light treatment of almost all developments.

In the 1990 1990s, Jagdish, Ashokan, Manoj K. The gang of Jain, Sudhish and Vinith was referred to as the main attraction of the film. They live to some extent to the hypera, and Rajesh Madhavan, Deachy Manoharan and the rest of the artists succeed in bringing the film.

Defeat When they bank banks work partially, but loses the way in the middle.