Review of the movie ‘Metro … In Dino’: Anurag Basu dissects modern love with poetic enrichment

Early Metro … in Dino, The middle -aged, middle -aged Monty Sisodia (Pankaj Tripathi), the desperate, infertility, disappointment and morality to press the refresh button in his married life is seen in the ideals of the ideal of the unclear wife, Kajol (Konkona Sen Sharma) in his sentence. In a comment of a comic, director Anurag Basu reveals what he plays his calendoscope and invests for about three hours.

When is born Life in the metro Press on the theater now must be 18 years old. There have been little changes in the relationship, in addition to the teenagers have struggled with her sexuality and she is not in a hurry. In the meantime, technology and therapy have solved the concerns of the people who fail to the individual generation and the people who miss the bus missing people because they prefer themselves. Our films often lean on one way or another. Critics argue them with progressives, regressives, and somewhere in the meantime. Anurag and his co-author once again to break the brackets and the jetison algorithmic screenplay and to create the heart-warming story of people who fall in love. The origin of the original is, but Metro … in Dino Has its own heart.

Initially, the film broke the fourth wall a few times to address us directly, but gradually she settled in a nice rhythm with unpredictable beets. You can feel the zafir of all the romance, but we know how Anurag reduced his audience’s healing wounds so slowly. In today’s language, the eternal chaos created by Kamdev and Corporate culture expresses it fluent, so you can find reflection in its characters and cinema conditions. It is both annoying and probable, though it is catastrophic and uplifting. Sometimes, all in a moment.

The film contains paragraphs that seem stretched or slightly overwhelmed, but they rarely lie. This is interesting because the five strands in the hyperlink film we look for the actions we have kept, we pretend to keep the relationship ball in the game. The skill of Anurag is the first to first make the masks, and at the moment we are comfortable in the skin of the film, it starts to peel them, laying the layer in the layer. He tries not to label anyone as a villain. In his triangles, no angle feels minimal from any angle, and when clicking on the journey, he is self -aware.

When Kajol literally goes into a club in Goa, a utility bag comes from anywhere and covered her face. When Chumki (Sara Ali Khan) descends at the residence instead of AWAS, you found that the difference between the right and the wrong choice is sometimes minimal. The action of life in the film is echoed at the emotional and artistic level, a rare combination of these days. Like the magic trick, the narration is easily transmitted to the dark room from the moment of the light -minded mind without hurting the audience. In this sense, this is not just a spiritual successor Life in the metro; It also has Anurag’s seal Barfi, Jagga jusuAnd Ludo In terms of storytelling and technical brightness. With each passing film, drag is being reduced and artwork is diminishing. Credit editor Bodhudity Banerjee also goes to the transition from different strands to be smooth but complex. Love, loss and release in the characters have been caught in various ways, yet they feel honest and relevant.

In Hyperlink films, it is important to install the character quickly, making the artist’s choice more important. Aditya Roy Kapoor and Sarah today’s generation of lust/ lost confusion is related. Both shows the psychological crack and the social awkwardness that the superficial of that confidence. This is the spark between them that ignition the mainstream engine. Then, Fatima Sana Sheikh and Ali Fazal put pressure on the gears to make decisions between the career and the family. Ali seems to have been cast to fulfill his unrealistic ambition of his character 3 stupidUnder -based Fatima’s complex role is excellent, her Shruti reminds me of her acting Modern love Mumbai.

Tripathi and Sen Sharma often motivate us to self -examine the charity of livelihood on social media. It is mounted as a light heart, but the strand has a lot of weight. Tripathi continued to fall into Irfan’s shoes, which burnt Metro In 2007 and Sen Sharma is excellent in depiction of a woman torn. In the older generation, Nina Gupta lives in a similar but more promising space as a camp. With Anupam Kher, she creates a portrait of college friends who separated by Destiny. When Melodram was not a curse in the screenwriting, it was cling to Anurag from the old school. He breaks the prophecy with a humor with insights and his writing and liltes in the camera. In a moment, the movie made the young roots nourishment on human photography, and at the other time, with the description of the Momin of the Lavbirds, the nerves calm the nerves, ‘Oh jhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh.

In the world of Anurag, songs are not just ornamental cost. They are inseparable for storytelling. Until the raising metal, Pritam, Pritam, has created a rich emotional tapestry with the poetry of Kaiser Jafri and Nilesh Misra. Jafri “Tuhar Shehar Ka Maus Bad Suhana Lez” Takes the form of a urban ballad, Thank you for the eye of Anurag for details. Look at this with someone you love. See this for someone you have pine.

Metro … is currently running at the theater in Dino.