There is a good line between the inventor and completely strange. On paper, Jailer Perhaps a complex family mobility, childhood friendship and a good-opposite-wise survival thriller may have felt like a gripping watch. But in implementation, this is a test of endurance than the dissolved film. Written and directed by Venu Shriram, Nythin, Varsha Bollamma, Saptami Gowda and Lia, tried to make a lot of trouble in the film and left most of them.
Nitin Jay plays the role of a gold chasing in the World Championship. His struggle, we have been told that it is not about fitness or skill, but an emotional luggage. He confessed to the broken bonds of his sister (Laya) and his weight of his weight.
Meanwhile, Chitra is a successful entrepreneur who wins ‘Start-up of the Year’. What does her company do? The movie does not tell us. At stage, she announced her love for Jai and called him “more than just a lover.” The logic takes a background and therefore also causes the character depth.
Thummudu (Telugu)
Director: Shriram Venu
Cast: Nythin, Laya, Varsha Bollamma, Saptami Gowda
Running Time: 150 minutes
Story: An emotional treatment, an archer, has to save his sister’s family in the forest and the time is running out.
Jay and Chitra both left to find their sister and then Jailer Descends into the chaos. Enter the cartoonish villain played by Saurabh Sachdev, which has just caused the deadly factory explosion. It was an insurance scam from the gate-go, but the film is treated as a masterstroke.
Audible Quarb, especially the opposition, tagged him: his hearing loss due to a childhood accident, so he cannot tolerate more than 20 decibels. He lives in a soundproof mansion, mute is surrounded by employees and communicates in the nearest-cylinders. This is more ridiculous than fearfulness and soon wears the gimmick. The joke is that the background score of Ajanesh Loknath is confusing, as if to make somewhere else for laughter.
There was a confusing tonal shift when the story moves to the Lalles Forest Zone on the Andhra-Chhattisgarh border. Jay’s unfamiliar sister, now living under a new identity, is stuck with her extended family – chased by the villains. Survival thriller kills the thriller and now it is up to Jay to help the family back to Visakhapatnam and to help the explosives get justice.
There is a transient feeling of the post -release. Cinematography written by KV Guhan, Sameer Reddy and Setu takes advantage of the situation to bring a visual room and gives some edge for stress. But the logic collapses quickly. For example, ‘for the cause of devotion’, even if a large pregnant woman tags a family in a forest? Only the weak melodrama and the firestorm are struggling to serve the respectively and Jay Henchmens. It’s all very overward.
The Saptami Gowda serves as a local, whose irritation is settled in a more intentional role and pushes the story forward. Another character is completely driven by money, raises the play, but again, it is best served.
Survival thriller will soon finish steam. Jai One-Man Army Morns-Pidoni uncle, cure for disease, protective, action hero. While some jungle views look genuine, the poor green screen works elsewhere.
Finally, the harmony of the sibling and the justice arch also loses all emotional pulls. Jay is getting back to his goal or the villain is going out in the soundproof pod, not even funny way, they just get out of the movie. Jay keeps saying again, ‘Ja The Flow’, which makes the film unknowingly funny.
Nythin is honest but can’t get rid of a boring script. If the weak character writing is a lot of Laya’s backward return, and if Varsha Bollama has brought her usual spark, that is not enough.
At one point, a character opens and declares a container, “There is nothing inside.” Someone from the audience said, “E cinema-l EMI Ladu (there is nothing in this movie).” This, unfortunately, summarized.
(This movie is going on in theaters)
